Dragonfly By

A “flyby” in English has many meanings and it is with this in the title that I enjoy some verbal play.

A flyby can refer to flypast or a flyover, a celebratory display or ceremonial flight. (thank you, wikipedia, one of my favorite sources.) It is in this connotation that I witnessed a beautiful dragonfly scurry past me on a walk I took yesterday morning in a park across the street from my abode. The day before, a new friend and I were just observing that neither of us had seen a dragonfly in a long time. We were walking up the magnificent 16th Avenue Tiled Steps in the Sunset district of San Francisco, finding among the multitude of tiles, both a dragonfly and a butterfly. (click the hyperlink to see what I mean about this beautiful art project.)

So, here I was the very next day, not even twenty-four hours later, walking in the park when a fleeting dragonfly crossed my path. I turned to watch her journey for as far as my eye could follow.  I smiled and kept walking, later, finding a butterfly flitting along in the flower gardens along with many merry bees collecting for the hive.

That evening, I engineered the sound of a Fukushima benefit show at Bottom of the Hill nightclub. It was a fantastic circus of sound, light, movement, and beautiful energy shared among the patrons and staff, but what struck me was this:  the promoter hung a drapery cloth in the doorway for everyone to step through and part in order to enter. The cloth was blue with images of 15 dragonflies in two neat rows (five on the left, 10 on the right).  She wanted everyone who entered to literally touch Fukushima, Japan as they began their journey into the night. It had a deeper meaning for me, though that experience for everyone to cross into and out of made a penetrating and heartfelt statement.

Dragonfly Drapery

Thank you, Kevin Lewis for this:  Dragonfly and Butterfly photos by Kev.

Dragonfly, the science.  (a wiki)Dragonfly

Dragonfly By: the totem and spirit meaning  TrAnSfOrMaTiOn

 

Dim Sum – a zero-sum on the tum-tum

 


I found myself in a unique gathering of new friends today at the Hong Kong Restaurant in the Outer Sunset area of SF dining on Dim Sum among 10 other Cantonese-speaking folks who work at City College of San Francisco with me.  It was a delightful noon meeting at a location that no one knew the address to, so I found myself walking up and down a street loaded with Chinese restaurants hoping that I would find my party.

The week before, I was invited by my friend who is one of the custodians of the building I teach in at the college, and with whom I have a lot of fun when we both run about working hard in the late evenings. We were saying “goodbye” for Spring Break when she stopped back by my office and asked me to join her and friends “next week for Dim Sum”.  She has a thick accent, so I wanted to be sure I understood correctly:  “You want me to join you for Dim Sum next week?”  “Yes!” she said excitedly.   So, how could I say no?  It would be a lovely meeting of new faces, and I knew that I would be ensconced in an excellent culture of food and language – completely lost, but in the best kind of learning.  I gave her my card with my cell phone on it, and she said, “I call you.”.

Four days into Spring Break, I received a wonderful text from her filled with great self-made emoticons and a fun invitation to join them on Friday (2 days later) at Young Hua in the Sunset on Noriega at 32nd Ave.  I sent a text back that I would be happy to join them there at noon on Friday.

Around 11:30a on Friday, I was ready to head out and tried to look up an actual address.  I could find no restaurant on the planet, let alone the Sunset district of SF, named Young Hua.  Uh-oh.  I sent her a text that I was on my way but didn’t know exactly where, just that it’s in the area of Noriega and 32nd Ave. I got a callback, “I’m not sure but will call you when I get there and tell you.”   Oh.  OK.  So, I set out, intrepid explorer of the food continuum to find my party of I didn’t know how many.  I walked around Noriega between 30th and 33rd twice, hoping that I would somehow find the group among no fewer than 29 Dim Sum restaurants, none of which are named Young nor Hua. I walked both sides of the street, slowly trolling by every restaurant looking hungrily into the windows at the food offerings.

In the second wrap around the two blocks, I heard, “Dana, over here!”  She waved her arms from across the other corner.  “Stay there!  It behind you!”  I looked up at Hong Kong Restaurant on the corner of 33rd Ave at Noriega.  YAY!  Food at last.  But first, the greeting of the numerous friends of hers who began to arrive.  All laughed at the fact that NO ONE knew where to go as they had all been given the same cryptic location with the wrong name and no address. Then, one after one, we were introduced as each seemed surprised to see me.  “I never see you at City College,” one exclaimed with a bright smile. Yan stepped in to say something quick in Cantonese that had the word “teacher” in it.  “Oh!”  The group stepped back to eye me up and down.  “Where do you teach?” one asked.  I told them about the Broadcast department on the Ocean campus.  I heard a flurry of Cantonese back and forth among them with the word Broadcast thrown in here and there.  Suddenly the door to the restaurant opened and they insisted that I walk in first.  But, I didn’t want to.  They knew the drill. The place was filled with Chinese families who all knew the drill and I really wanted to follow because I don’t really know the drill.  They wouldn’t allow that. So sweet and kind, they were, making me walk first and then take first every time a new dish came up on our table to share. Thank goodness I know how to hold chopsticks properly.  There was no other utensil in sight. I was also given the menu first.  It was in Chinese with a tiny description of 3 – 4 words beneath the characters in a 4-point font.  Oh, boy.  Here we go.  I thought to myself:  “Please Lord, no snouts, feet, nor innards I would never, ever eat.  Please let this meal contain regular meat or none at all.”  At least I didn’t have to order aloud; I could simply mark a chart. PHEW.  I didn’t want to disappoint anyone with my order, so I picked a number of different things.

Then came the fun, laughter, pouring of tea, food ordering, pouring of more tea (10x plus)  and everyone having a jolly good time.  Our table grew to 11 people.  When the Durian dish arrived, the table became quiet suddenly.  Uh oh.  Among the 20 things we all ordered, I asked for the Durian turnovers for us.  Everyone looked around and someone asked in Cantonese, who ordered the Durian?  Yan pointed at me.  I smiled.  {inside head:  oh, no. What the F is Durian?}  Alas, it’s a dish that only half the population likes, the other half hates it as it has a very strong smell and taste.  I wondered what animal part it was as I took the first offering since all plates on the Lazy Susan centerpiece landed in front of me first.  Once I took mine, 1/2 the table grabbed at theirs and the other half kept that Lazy Susan turning past them, nose in the air.  Which team was I on?  I think they all wanted to know as laughter picked up again while I took a sniff and thought it was kinda cool and then a bite.  YUM!  3 of them raised hands in the air – the teacher chose the Durian! I was then given two more bites of it as they ordered more.  I now know (thankfully) that “Durian is a fruit of several fruit species belonging to the genus Durio. There are 30 recognized Durio species, at least nine of which produce edible fruit.” (THIS is why I donate to Wikipedia every year, folks.  Whose family Encyclopedia would have a listing for Durian?)

We chatted more. Well, me mostly listening, smiling, and eating with a once-in-a-while translation from Yan or the only male who joined this group of chatty females (the husband of one of the CCSF staff) who worked for MUNI.  He and I spoke off and on about various and sundry things.  His English was very good and he was so sweet about making sure that I was in on the conversation when Yan was busy fussing over tea pours and making sure our immediate half of the table had enough on our plates. At one point after one of my last bites, someone had brought up an excited chat about pigs feet and chicken feet though nothing we ate in that meal was anything other than root vegetables, fruits and a little bit of “regular” meat in one or two things.  Thank the heavens for that…I didn’t need to know that end of the conversation and was happy to not know about what they were saying save for Yan telling me secretly that she felt that the feet of chicken are not good for you, health-wise.  They step in things, and medicine too, that the chickens are given.  I was fine to not know more as she drifted back to the conversation in Cantonese and the laughter.

What a fun lot they were.  And the wait staff at the restaurant had a blast with them too as they all seemed to have great playful fun making some kind of points back and forth.  It was great to watch and hear.  The food was OUTSTANDING.  I will return with more friends. This restaurant is a DELIGHT!

At one point, someone asked about “the other Dana” in my department whom everyone at school knows and is a good buddy of mine. They wanted to know if I knew Dana and Susan, both among our fantastic Classified Staff in the department.  I told them that the other Dana is known as Number One, and I am Number Two.  They liked that! I realized then that I was among a group of people that, just like myself, work really hard at our jobs; all of us collectively contribute to an amazing college where thousands of students cross our paths every day, every week, every month, every year.  Some shared where they worked, the buildings they clean, wondering why I am in both Arts Extension and Conlan Hall on occasion, when one had recognized me from the other side of campus. It was hard to explain the Academic Senate offices, so I just made it simpler about my duties to help the college in other ways besides teaching.  Yan then said, “She busy helping us all at college to make it better.”  If I didn’t have my game face on, I would have teared up right then as I am now, typing this, hours later.

Here I sit in a zero-sum game of my tum-tum and the thoughts of a wonderful lunch today with a new group of friends.  We all work together to make our global village at the college the best it can be. I am honored to get to know some of my comrades on campus in this intersection of our lives not at work.

Dim Sum

"Durian" by Kalai - Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Durian.jpg#/media/File:Durian.jpg

“Durian” by Kalai – Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Durian.jpg#/media/File:Durian.jpg

 

Coastal Wind & Weather In Gen…

Diggin’ the coastal wind that has been ripping through my Bay Area today. Molecular disturbance of some sort, any kind, brings me a big YAY!  Finally!  It’s been strangely warm and calm, mild, temperate for a few days.  These particular set of gusts are quite nice shaking a lot of bits from the trees.

Here: someone’s thoughts on the 5 best weather websites with some great details about your outdoor world. (I’m in the U.S. folks, so I’m thinking of our North American 1/2 of the continent, part of the world here.)

Whoa the site, chock full of bits about your bluster:   http://www.wrh.noaa.gov/   I know it looks and reads like an old encyclopedia, but what do you want from the National Weather Service?  They are meteorologists, not designers.  It’s still cool info, right?  😉

Forecast IO is very cool. Oh, so cool. It is currently 57• where I sit right now, not a far ride to the ocean on the L Taraval.

Hilarious tongue-and-cheek fun if you don’t mind the expletives; and since I speak them fluently, I HEART this site.  Just keep hitting the “give me a random _____ location” button a few times and see where you land. The top left displays the location and the center text contains the verbiage about the weather in that location.  (bare bones details, but awesome use of expletives).  Fantastic!

Explore the world – even if through the web!

Earth in hands

 

“Fictitious Dishes” by Dinah Fried – a must read

What a delectable dish of single page dosage of words and pictures about the food we read in novels.

‘Fictitious Dishes: An Album of Literature’s Most Memorable Meals’

Check out the link: and be prepared to have snacks nearby, or not.  The book is a delight of the mind and senses.  If you don’t click the hyperlink above, try this:

“Just as reading great novels can transport you to another time and place, meals – good and bad ones alike – can conjure scenes very far away from the table,” writes graphic designer Dinah Fried in the introduction to her new book, Fictitious Dishes: An Album of Literature’s Most Memorable Meals. In the book, just out from Harper Design, Fried recreates and photographs culinary moments from 50 well-known books, from Ramona Quimby’s inspired pairing of mashed potatoes and jelly in Beverly Cleary’s Beezus and Ramona to a grapefruit slashed to pieces with a hunting knife in Fear and Loathing in Las Vegas.

Meal_The Bell Jar_Fictitious Dishes

 

The Nightclub – Check One, Two…

This post was originally written as an audio blog for RightRound.com for whom I was a contribution writer in the “tips and tricks for musicians” section of the online magazine. So this new version of it is largely for those who are new to the gig scene and for some of you who have played out a while and who consistently notice that the sound is just never quite right.  Let me tell you a few things that can really throw the show sonically off-kilter and clear up some questions you might have.

If the club booker/manager/owner gives you a time to show up for “soundcheck” – be there completely on time (that means finding parking at least 5 minutes before) and I mean everyone – especially your DRUMMER who usually tends to show up late, has the most gear, and needs the most time to set up.  If one of your bandmates tends to run late, tell them the soundcheck is ½ hour earlier than you were told to arrive.  Practice setting up everything within a 15-minute timeframe.  If it takes you ½ hour-to-40 minutes to set-up and break down, you won’t be invited back no matter how much you rocked.  Therefore, plan on arriving a little early and FOCUS when you are setting up your gear.  In other words, you’ve got to hustle.  This isn’t like rehearsal night where you can stand around and slowly set up your cables, pedals, and drum hardware, and casually joke about your last night’s antics or the last episode of “Dexter” you watched.  Get it together and set it up and get yourself ready for a professional sound check!  This is where the club’s audio engineer sets up the sound the way you need to hear it through your monitors.  This is really important because you’re completely in the dark if this isn’t set up correctly at sound check.  Think of this as the final exam for the most important class you’ve ever taken and needed an “A” in every time you set up at soundcheck.  It may be ROCK, but it’s a serious business.  And the business of soundcheck is mostly for YOU and what you’ll hear of yourself during the show.

If you play guitar and you haven’t tried your amp nor pedals in a larger space other than the garage or the 9’ x 11’ rehearsal room, this is not the space to put your settings on “10” and “check it out” in the big club.  Because it’s NOT a big space and your front several rows of people (if you’re lucky enough to have that many) are having their ear canals reshaped from the feedback you’re getting from your guitar because the “gain” setting is on “10” and your master output level is on “2”.  {WRONG} There is a complete and delicate balance between your GAIN settings (the input on the amplifier that gets its signal from the output of your guitar–your pick ups, my friends) and it is the output of that amp via the speaker inside it that emanates your sound to the audience – MASTER VOLUME.  Sometimes the sound engineer may put a microphone in front of your amp to use to make you sound “blended” in the PA system.  In most small clubs where you are starting out, we all know that your guitar amp can kick ass above the house sound system.  Ok, cool.  Take a bow, we’re all applauding your power, man…great, loud as the Lord himself.  But, for Pete’s sake, get it out of your system in your practice space and please don’t do that live and in the real venue because you’ll send 99% of the people to the door for earplugs, thereby negating the sensitive moments that your singer is attempting to vocalize into the sound of your band.  And well, dynamic range is an interesting phenomenon…it is about the softest to the loudest part of a song and those are usually the bits that grab the audiences’ attention.  But, if your guitar player just sent the crowd running for earplugs, those quiet to loud parts are LOST on them.  In other words, Do NOT let your guitar player determine the decibel level of the entire PA system.  Not a good thing.  If this person doesn’t understand this, replace him/her with someone who does.  Dynamic Range – the soft to loud in any song is what makes it and what makes an outstanding band…well, more outstanding!

Make sure you tell the sound engineer everything that you intend to play during your set so that they properly set up all of the mics that you need BEFORE you start playing.  Being on stage and in the middle of your set and then remembering that you play a couple of accordion lines in the song is not the right time to tell the sound engineer and ask him or her to mic it.  Better yet, write up a stage plot that you take to your gigs.  You will look even more pro if you have one of these.  It can be a simple line drawing that states where all of your people stand, gear sits, and where you would like your stage monitors.  Some bands these days put the drummer up front and off to the right or left.  This is REALLY good for the engineer to know the minute you arrive.  If you hand them a stage plot, you’ve made a happy camper out of her/him immediately.

YOdiddly YO diddly Eh EE OH!  Yes, that’s typed yodeling.  It’s a shout out to all my vocalist brethren to stand front-and-center on the microphone.  Don’t be afraid of it.  It’s not a spider!  You must put your mouth as close to it as possible (if it’s a dynamic mic like an SM58 that 96% of all clubs in the entire world use for vocals) to get a good sound out of it.  It’s not like the mics we use in the studio that require you to stand further back. Definitely eat that microphone so that it picks up the most tone from your voice, the most loudness from your vocal cords and eliminates as much feedback as possible from that monitor in front of you.  At sound check, sing as loud as you intend to at the show.  A simple “check one, two” (yes, the mic works) is not enough.  Nine times out of ten, you’re going to sing way louder than your speaking voice.  Give it a good shout out and tell the engineer what you need in the monitor.  We’re not practiced in the art of mind-reading and we can’t hear your monitors with the house speakers in our ears.  So make sure you tell us what you need. If your guitar player is too loud and you can’t hear yourself, ask them politely to turn down.  Forcing the monitor to go louder and louder won’t help much.  Later, when you’re playing arena shows, this will be possible.  It’s just not possible in the small/medium-sized nightclubs.

So, if you’re a wee bit sickened by the idea of getting really close to a mic that’s been used countless times at the club and smells like beer and cigarettes, you’re not alone!  It is disgusting and you should, therefore, buy your own microphone and use it.  Always remember to bring it with you and bring it home.  Here’s an important [VERY important] tip.  Make sure that the sound engineer has MUTED your mic channel before you plug your mic in and before you unplug it. It’s not good to plug in ANY instrument to a live channel.  It makes the entire PA system go “THUNK” and that’s not good for it nor your microphone.  Put your mic in a mic bag and keep it covered.  Don’t throw it loose in your bag that may have other loose items come in contact with it.  It’s your instrument!  Treat it with care.

For those of you vocalists who really dig the sound of effects processors on your voice, make sure you buy a real vocal effects box or pedal and DO NOT attempt to sing through guitar pedals live.  It’s fine for your low budget recordings if you’re going for that garage sound.  But live, you’ve got all of that voltage and system gain and you have no idea how much of the affected signal your audience is hearing.  That’s why the sound engineer usually does that.  They are standing out in the house with the speakers facing them so that they can blend in the right amount of processing for you.  If you plug your mic into that pedal and that pedal goes into the PA system, you’re likely to sound like a sports announcer at the ballpark for your entire set…and especially when you’re talking to the crowd between songs while your guitar player tunes.  Get a good vocal processor (and they cost more) or leave it to the sound engineer.  (remember to turn OFF the effects between songs to talk.)

One last bit:  give props to the club before you leave the stage.  Thank the booker and remind people to tip the bartenders.  It’s a great way for the bar to remember to invite you back.  Then, get your gear off stage as quickly and orderly as you can.

Ok, great!  Set up/check/gig.  See you soon!

Bottom Of The Hill - nightclub in San Francisco, CA

Bottom Of The Hill – nightclub in San Francisco, CA

People Stop And Stare

“…they are looking into a peephole (now called a display screen) while also attempting to walk and not watching where they go.”

Read More

The Enabled Ones

How glorious a first day of 2015 to feel so completely enriched in a life built around the fortitude of daily work. The stars have aligned to feel the gift of the universe in my world of plenty. If we all take stock of our hearts, minds, and our spaces around us, we can see that we have been enabled by some universal power and spirit to have more and therefore do the goodwill of the world. We have enough while others have little to none.

Consider this from the WorldBank.org poverty overview:

  • According to the most recent estimates, in 2011, 17 percent of people in the developing world lived at or below $1.25 a day. This means that, in 2011, just over one billion people lived on less than $1.25 a day.

Even if the current rate of progress is to be maintained, some 1 billion people will still live in extreme poverty in 2015—and progress has been slower at higher poverty lines. In all, 2.2 billion people lived on less than US $2 a day in 2011, the average poverty line in developing countries and another common measurement of deep deprivation. That is only a slight decline from 2.59 billion in 1981.

In some developing countries, we continue to see a wide gap – or in some cases – widening gap between rich and poor, and between those who can and cannot access opportunities. It means that access to good schools, healthcare, electricity, safe water and other critical services remains elusive for many people who live in developing economies. Other challenges, such as economic shocks, food insecurity and climate change threaten to undermine the progress made in recent years.

These are figures from the developing world, mind you. So, would you like to take a brief journey into the Unites States statistics of median household income? I’ve looked up some information here. (see page 13)

  • Median household income was $51,939 in 2013.
  • In 2013, real median household income was 8% lower [my emphasis] than in 2007 (the year before the most recent recession).

2013 Median Income by Race and Hispanic Origin 1967-2013    US Census Bureau Income and Poverty in the Unity States p.13

In 2013, households with the highest median household incomes were in
the Northeast ($56,775) and the West ($56,181), followed by the Midwest
($52,082) and the South ($48,128). 

Why all of these statistics on this first day of the year in 2015, you might ask? It’s a way of stating that I’m thankful to be alive, to be working, to have health benefits, and to inform everyone that if you’re earning anywhere near the median household level (especially if you’re without children) and you’re reading this, then you have more than enough. You have plenty and it’s time to do the right thing and spread some goodwill. Do it locally. Let’s put our hands out, not in request, but in giving.

Check out GuideStar.org

GiveBackHappy 2015!